Overture
Against a black screen, we HEAR sounds of an orchestra tuning up. We HEAR
three sharp taps, at which the players become silent.
Then the overture MUSIC to Henry Purcell's opera Dido and Aeneas begins.
FADE UP
1. F/X. PAINTING MONTAGE
On a painting of a cherub flying over the capitol building and the
Washington Monument while rolling two dice.
FADE TO
A black screen with the title:
FADE TO
2. INT. OPERA HOUSE--BACK STAGE BEFORE PERFORMANCE
A SERIES OF SHOTS of the cast and crew preparing for an opera-we see
workmen moving set pieces, including a coffin; a female performer, DIDO, in
ancient Greek costume is in a dressing room applying make-up; a male
performer, AENEAS, also in ancient Greek costume is practicing a dance step
while eating a hot dog.
As the tempo of the overture MUSIC quickens...
3. EXT. OPERA HOUSE--TWILIGHT
Well-dressed people are entering the Opera House. The only sound is the
overture MUSIC, which continues.
4. INT. VANESSA'S BEDROOM--TWILIGHT
CLOSE UP of VANESSA, aged 29, sitting at a dressing table in her underwear
putting on make-up. A hand comes into the scene holding two envelopes.
PULL BACK to reveal DENNIS, aged 29, is the owner of the hand. He is dressed
casually and is talking on a cordless phone.
From a CLOSE UP of the envelopes in Dennis's hand, we see that the one on
top says WASHINGTON OPERA SOCIETY--DIDO AND AENEAS. Two tickets
protrude from the top of the opened envelope. Vanessa takes that envelope.
Below it we see that the other envelope is an airline ticket holder; on the top
it says DC NATIONAL--CHICAGO O'HARE.
From a wide POV of the room, Vanessa resumes putting on makeup as Dennis
finishes his phone call and tosses the cordless phone on the bed. He throws a
packed garment bag over his shoulder and grabs an attach'e. He comes to
Vanessa and gives her a quick kiss on the cheek and begins to exit. She
catches his free hand and pulls him back to her for a more passionate kiss.
Dennis exits. Vanessa pulls a nice red dress from her closet.
The opera MUSIC continues.
5. INT. OPERA HOUSE--NIGHT
A CROWD OF PEOPLE are entering and taking seats in a sparsely filled opera
hall.
6. EXT. BOB'S APARTMENT--TWILIGHT
JUNE, aged 30, dressed in a sleek evening gown, walks up the front steps to a
small apartment house. She carries a bouquet of flowers. At the door, she
pulls a small compact from her purse and powders her nose. She rings the
buzzer and then checks her hair and lipstick in the compact's mirror. She
fidgets with her dress.
The door opens and disappointment fills June's face. She reaches into her
purse and pulls out a tissue.
BOB, aged 33, steps out onto the landing and greets June. He is wearing a
button-down shirt and nice jeans and is stuffing a hot dog in his
mouth. With her tissue, June
wipes mustard from the corner of his mouth. Bob is expressionless, a
moment later he swallows his mouthful of hot dog.
June points to his clothing and we see her mouth forming words that might
say "You can't go like that."
The opera MUSIC continues.
7. INT. OPERA HOUSE--NIGHT
More PEOPLE are entering and taking seats in the increasingly full opera
hall.
8. EXT. CITY STREET--TWILIGHT
A well dressed couple, RICK, aged 32 and SUZANNE, aged 25, run headlong
down a city street at twilight. She is out in front and is pulling him along.
They pass a roadside hot dog vendor.
Rick stops and, while licking his chops, pulls out his wallet and takes a step
toward the silvery glean of the vendor's cart. Suddenly Suzanne grabs him
and pulls him away.
Continuing down the street, they reach the Opera House and run up the steps
and into the lobby.
9. INT. OPERA HOUSE--NIGHT
FADE UP
The CAMERA is facing the back of the auditorium, DOLLYING toward the
front. We see Rick and Suzanne enter late and run up to their row. They
pass in front of Bob and June. Since we last saw him, Bob has added a bow tie,
which has not improved the overall effect. He is wise-cracking about
something in the program and June is faking indignation and hushing him.
Closer to the front we see Vanessa, seated next to a conspicuously empty seat.
The overture MUSIC ends.
The opera begins. On stage are Dido and her MAIDSERVANT. The opera is in
English but subtitles are provided.
MAIDSERVANT
(singing)
Shake the clouds from off your brow,
Fate your wishes does allow.
In the audience:
We close in on Vanessa who sits with arms and legs crossed. The Maidservant
continues to sing but at a lower volume. We hear Vanessa's thoughts.
VANESSA (VO)
Fate--ha! Fate is not going to be kind to this woman.
MAIDSERVANT (OS) (CONT.)
(singing)
Empires growing,
Pleasures flowing,
Fortune smiles and so should you.
On stage:
Dido sits looking pained and tragic as her Maidservant finishes the aria.
FADE TO
Aeneas is courting Dido.
AENEAS
(singing)
When, when royal fair, shall I be bless'd
With cares of love and state distress'd?
DIDO
(singing)
Fate forbids what you pursue...
AENEAS
(singing)
Aeneas has no fate but you.
Let Dido smile, and I'll defy
The feeble stroke of Destiny.
In the audience:
We close in on Rick and Suzanne. The opera MUSIC softens. We hear Rick's
thoughts.
RICK (VO)
You can't fight destiny, prince.
(glancing at Suzanne)
When it's over, it's over.
CHORUS (OS)
(singing)
Cupid only throws the dart
That's dreadful to a warrior's heart.
On stage:
AENEAS
(singing)
If not for mine, for empire's sake,
Some pity on your lover take.
In the audience:
We close in on Bob and June as Aeneas continues to sing. June holds Bob's
forearm which is on the armrest. The MUSIC softens. We hear June's
thoughts.
JUNE (VO)
(excitedly looking at Aeneas)
He burns with passion!
(disappointingly looking at Bob)
I should have given up on him long ago.
June leans over and steals a kiss from Bob. Bob gives her an inquisitive look
then returns to focusing on the opera. June releases his arm.
JUNE (VO)
What is he thinking?
AENEAS (OS) (CONT.)
(singing)
Ah! make not, in a hopeless fire,
A hero fall, and Troy once more expire.
We close in on Bob as the music continues. Bob shifts in his seat and pulls
away from June. He raises opera glasses to his eyes.
MAIDSERVANT (OS)
(singing)
Pursue thy conquest, Love
Pursue thy conquest, Love
As the music drops a notch in volume, we hear Bob's thoughts.
BOB (VO)
Brilliant! What a master of discipline and form!
Henry Purcell is a genius.
MAIDSERVANT (OS)(CONT.)
(singing)
Pursue, pursue
Pursue thy conquest
Pursue thy conquest, Love.
On stage:
Dido, Aeneas, and the Maidservant are on stage.
MAIDSERVANT (CONT.)
(singing)
Pursue thy conquest, Love
Pursue thy conquest, Love
Pursue, pursue
Pursue thy conquest
Pursue thy conquest, Love.
Her eyes confess the flame
Her eyes confess the flame her tongue denies.
In the audience:
PULL BACK to reveal a group shot of Bob, June, Rick, Suzanne, Vanessa and
the empty seat. Everyone looks uncomfortable, except Bob.
MAIDSERVANT (OS)
(singing)
Her eyes confess the flame
Her eyes confess the flame her tongue denies.
FADE TO BLACK
10. INT. THEATRE STAGE--CUTAWAY
FADE UP
On a SERIES OF SHOTS of Bob, June, Rick, and Vanessa, each appearing alone
in front of the closed theatre stage curtain and speaking directly to the
CAMERA. They are dressed in the clothes they wore to the opera. We HEAR
the melody from the opera song Pursue Thy Conquest, Love.
BOB
Dido and Aeneas by Henry Purcell.
RICK
Aeneas is on his way to fulfill Jove's command by
founding Rome,
VANESSA
when Juno blows his ship off course.
JUNE
He lands in Carthage.
RICK
The queen, Dido, is beautiful and unmarried.
BOB
Some kind of romantic entanglement ensues.
JUNE
They fall hopelessly in love.
BOB
Whatever.
We see June roll her eyes.
VANESSA
Despite her feelings, Dido holds back.
BOB
She knows it can't last. Aeneas' destiny lies
elsewhere.
RICK
But Aeneas wants her! He keeps pursuing.
VANESSA
He says he'll defy destiny and stay with her.
RICK
His persistence pays off.
JUNE
They make passionate love.
VANESSA
(split screen with June)
He takes advantage of her vulnerability.
RICK
(triple split screen)
He shoots. He scores!
BOB
(quadruple split screen)
They dance, they frolic, they go on safari together.
VANESSA
Everything looks perfect.
JUNE
Everything is perfect.
VANESSA
Then the gods put an end to it.
BOB
But that's not 'till Act 2.
FADE TO
11. EXT. OPERA HOUSE--NIGHT
A crowd is leaving the Opera House. In the crowd we see Vanessa. She walks
pensively down the street and stops in front of a small dinner cafe. She
hesitates then enters.
12. INT. CAFE--NIGHT
Vanessa approaches the counter, where Bob and June are ordering. From
Vanessa's POV we overhear:
BOB
...All I'm saying is Aeneas had more important
things to be doing.
JUNE
More important than love?
BOB
Yes. Duty, service, obedience to God. Some things
are more important than love.
JUNE
Have you ever been in love?
Before Bob can answer, the WAITRESS brings their order: two slices of carrot
cake, a bowl of French onion soup, and coffee and water.
WAITRESS
(to Vanessa)
What can I get you, ma'am?
VANESSA
A decaf and the carrot cake.
WAITRESS
Sorry, those two got the last two pieces.
VANESSA
(looking at June and speaking with
mock indignation)
You gave them my cake?
JUNE
I'm sorry! Are we hogging all the carrot cake?
VANESSA
No, no. It's just as well for my waistline.
JUNE
You can have mine. I'll eat his.
BOB
(to Vanessa)
And she will.
VANESSA
No, really.
JUNE
If you change your mind...
(she follows Bob off)
VANESSA
(looking after June as she exits but
speaking to the Waitress)
OK, I'll take the low-cal fruit platter...
Vanessa turns back to the counter and gasps. Dido, in ancient Greek costume,
is behind the counter where the waitress was.
DIDO
They seem like a nice, happy couple.
VANESSA
Wh-?
DIDO
Why did you turn them down? You've been saying
you need some new friends.
VANESSA
When did I ever say that?
DIDO
Every time you're out with your old friends.
VANESSA
Well, I doubt strangers in a coffee shop are the
answer to my needs.
DIDO
I've got a good feeling about those two.
VANESSA
You're awfully optimistic.
DIDO
Everyone's optimistic in Act 1.
We see a CLOSE UP of Vanessa from Dido's POV when:
WAITRESS (OS)
That's $5.85.
Vanessa blinks. The Waitress is delivering her order of decaf and a fruit
platter.
Bob and June are seated at their table eating and drinking. During the
following Bob pulls a single-page insert from the opera's playbill and begins
origami folds that convert the page into the shape of a frog.
BOB
So how many times have you been in love?
JUNE
We're not talking about me.
BOB
Oh. I forgot. We're talking about me.
JUNE
Look, those two over there are fighting.
(Bob looks around while June gestures
slightly with her head)
Over there.
From Bob and June's table we see, at a distant table, Rick and Suzanne.
BOB
Weren't they at the opera?
JUNE
He stepped on my foot.
BOB
They're not fighting. They're having a discussion.
JUNE
Look at the angle of her back. She was very warm
earlier. Now she's sending out "Don't touch me!"
signals.
VANESSA (OS)
Hi. Too late to take your offer?
Vanessa stands next to Bob and June. She is ready to join them. Bob and June
turn their attention from Rick and Suzanne to Vanessa.
JUNE
Half a carrot cake for half a...
(she peers up to Vanessa's plate and
is disappointed)
...bowl of fruit.
VANESSA
I changed my mind. I thought you looked like a
nice, happy couple.
JUNE
We are nice and happy...
BOB
But we're not a couple. I'm Bob and this is June.
VANESSA
I'm Vanessa Davenport.
JUNE
Bob was about to tell us how many times he's been in
love.
VANESSA
Don't let me stop you.
BOB
(a look of consternation passes over him)
June thinks that if I had fallen in love a few dozen
times I'd realize that Aeneas made the wrong choice.
JUNE
I didn't say a few dozen times.
VANESSA
Once is enough. Or so they say.
JUNE
Uh-oh. Check out the happy couple.
Once again, the POV includes Rick and Suzanne's table in the background.
BOB
Vanessa, you have to understand, June has a nasty
habit of spying.
JUNE
I'm a student of human nature and she's about to
blow. I give this relationship thirty more seconds.
VANESSA
I think we should be more optimistic.
Suddenly Suzanne rises and flings her fork down, splashing raspberry sauce
on Rick. She turns on her heel and exits, tossing her napkin behind her.
JUNE
Eeeee-ruption!
RICK
Suzanne...!
Rick wipes at his shirt with a napkin then heads toward the bathroom
muttering to himself:
RICK
God, I hate opera.
VANESSA
Poor guy.
JUNE
I doubt it.
As Rick passes Bob and June's table.
JUNE (CONT.)
Excuse me.
RICK
What?
BOB
You were at the opera tonight.
JUNE
We were wondering if you could help with a debate
we're having.
Rick is distracted with his messy shirt, and June's inquiry goes unanswered.
BOB
Yeah. Some of us think Aeneas made the right
choice to leave, and some think he made the wrong
choice.
RICK
I don't think Aeneas had any choice at all.
(he looks in the direction Suzanne just left)
He was the victim of forces beyond his control.
LONG FADE TO
...
Oklahoma Theatre Productions
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